Medium: Aquatint
Dimensions:12 x 18 inches (Image) 18 x 24 inches (Sheet)
Signature: Signed
Artist details: American, 1949
Date finished: 2020
Edition: of 200

Squalicum Harbor, Bellingham, WA

Medium: Etching and aquatint
Dimensions: 15 3/4 x 23 1/2 inches (image)
Signature: Signed
Artist details: Japanese, 1957
Edition: of 35
Condition: Some creases at lower left away from image.

Recommended by Nikki (Fine Print Photographer & Content Publisher):
"Starfish are symbolic of divine and endless love. These celestial beings sweep the background of Asahi’s highly technical etching. The little blue-eyed starfish serve as helpful and loving guides as the central female figure pours out the ocean from a shell as she sits on the back of a flying dragon. There is an energy to the piece, despite the artist including only tiny pops of color in the eyes and small details of each creature. Instead, linework and shape build the composition’s movement and playfulness. Each line etched into the plate is carefully scratched to give swirling loops to the water, striking contrast to the dragon scales, and delicate curves on the woman’s body. A visual boost of warm and energetic feelings."

Medium: Woodcut
Dimensions: 15 x 12 inches (image), 22 1/4 x 17 inches (sheet)
Signature: Signed
Artist details: American, 1937 - 2012
Date finished: 1991
Edition: of 28
Reference: LD 182

Medium: Reduction woodcut
Dimensions: 15 x 32 inches (Image) 18 x 34 inches (Sheet)
Signature: Signed
Artist details: American, 1950
Date finished: 1999
Edition: of 10

Recommended by Catherine (Collections Specialist):

"Terrain / 4 Directions is one of Mary Farrell’s largest and most intricate pieces featuring her iconic portrayal of hands. Reduction woodcut is a notoriously complex technique that requires a great deal of planning. And yet, Farrell conveys a sense of fluid immediacy with the sensitive and sketch-like quality of the forearms and hands. They dance together with strength, grace, and perpetual motion, while the background texture calls to mind both fingerprints and rippling water. Like fish gathered together and circling in a whirlpool, the hands engage in an animated, yet unspoken conversation. I see their vibrant, intertwined outlines as a representation of the vitality and connectedness of all living things."