Medium: Etching, chîne-collé
Dimensions: 24 x 18 inches (image) 28 1/2 x 22 inches (sheet)
Artist details: American, 1963
Date finished: 2010
Edition: EV of 30

Medium: Marbled monoprint
Dimensions: 15 x 11 1/4 inches (image/sheet)
Signature: Signed verso
Artist details: Pacific Northwest, American, 1976
Date finished: 2022
Edition: 1/1

Recommended by Catherine (Collections Specialist / Gallery Associate):

When things fall apart, it's easy to point fingers, dive into analysis, and urgently piece together the reasons why events unfolded the way they did. Ben Beres' marbled monoprint 'There Is No Why' is a beautifully straightforward reminder to give ourselves a moment to let go of our need to find answers and explanations, and allow our minds to rest so our broken hearts can heal. Only with clear minds and strong hearts can we take action together and accomplish the necessary work of repair and growth.

Medium: Woodcut
Dimensions: 20 x 30 inches (image/sheet)
Signature: Signed verso
Artist details: American, 1955
Date finished: 2022
Edition: of 15

Additional impressions available.

Medium: Aquatint
Dimensions: 6 x 9 inches (image) 12 x 14 5/8 inches (sheet)
Signature: Signed
Artist details: American, 1949
Date finished: 2015
Edition: of 120

Medium: Color mezzotint
Dimensions: 8 x 11 3/8 inches (image) 10 1/2 x 14 inches (sheet)
Signature: Signed
Artist details: American, 1948
Date finished: 2022
Edition: of 15
Condition: Made with 6 plates

Sorry! No more are available.

Medium: Reclaimed wood monoprint, hand-cut paper, blind embossment and collage
Dimensions: 9 x 9 inches (Image/Sheet)
Signature: Signed
Artist details: Korean / American, Pacific Northwest, 1971
Date finished: 2023
Edition: 1/1

Recommended by Rebecca (Gallery Manager):

"Eunice Kim’s style and technique has evolved much over the years, but the natural spirit of her work and her commitment to using non toxic materials has only grown. In her new exhibition Currents & Tides, she uses reclaimed wood from a barn on her property to produce stark and natural woodcut prints. In Seedling (9) #1,  you can feel the energy and intention that Kim puts into the process of selecting the star pattern from the source print, and painstakingly cutting it out by hand with tiny scissors. Kim melds both natural and human history into a meditative harmony of birth, death, and rebirth."