Medium: Mezzotint Dimensions: 3 1/4 x 4 1/2 inches Signature: Signed Artist details: Japanese, 1954 Date finished: 2016 Edition: EA of XXX Reference: 375
Medium: Mezzotint Dimensions: 3 1/4 x 4 1/2 inches Signature: Signed Artist details: Japanese, 1954 Date finished: 2016 Edition: EA of XXX Reference: 376
Medium: Mezzotint Dimensions: 3 1/4 x 4 1/2 inches (image) 10 x 11 1/2 inches (sheet) Signature: Signed Artist details: Japanese, 1954 Date finished: 2004 Edition: of 60 Reference: 244
Series: 36 Labors of Hercules Medium: Oil-based woodblock print on cream paper Dimensions: 32 1/4 x 16 1/4 inches Signature: Signed Artist details: American, 1935- 2022 Date finished: 2010 Edition: AP
Series: 13 Ways of Looking at a Blackbird Medium: Oil based woodblock print on cream paper Dimensions: 15 x 15 inches Signature: Signed Artist details: American, 1935 - 2022 Date finished: 1986 Edition: AP
Series: 13 Ways of Looking at a Blackbird Medium: Oil based woodblock print on cream paper Dimensions: 15 x 15 inches Signature: Signed Artist details: American, 1935 - 2022 Date finished: 1986 Edition: AP
Series: 13 Ways of Looking at a Blackbird Medium: Oil based woodblock print on cream paper Dimensions: 15 x 15 inches Signature: Signed Artist details: American, 1935- 2022 Date finished: 1986 Edition: AP
Series: 13 Ways of Looking at a Blackbird Medium: Oil based woodblock print on cream paper Dimensions: 15 x 15 inches Signature: Signed Artist details: American, 1935- 2022 Date finished: 2018 Date of plate: 1986 Edition: of 10 Printer: Sidereal Fine Art Press Condition: SFAP Chop in the lower right hand corner.
Series: 13 Ways of Looking at a Blackbird Medium: Oil based woodblock print on cream paper Dimensions: 15 x 15 inches Signature: Signed Artist details: American, 1935- 2022 Date finished: 1986 Edition: AP
Series: 13 Ways of Looking at a Blackbird Medium: Oil based woodblock print on cream paper Dimensions: 15 x 15 inches Signature: Signed Artist details: American, 1935- 2022 Date finished: 1986 Edition: of 5
Series: 13 Ways of Looking at a Blackbird Medium: Oil based woodblock print on cream paper Dimensions: 15 x 15 inches Signature: Signed Artist details: American, 1935- 2022 Date finished: 1986 Edition: AP
Series: 13 Ways of Looking at a Blackbird Medium: Oil based woodblock print on cream paper Dimensions: 15 x 15 inches Signature: Signed Artist details: American, 1935- 2022 Date finished: 2018 Date of plate: 1986 Edition: of 10 Printer: Sidereal Fine Art Press Condition: SFAP Chop in the lower right hand corner.
Series: 13 Ways of Looking at a Blackbird Medium: Oil based woodblock print on cream paper Dimensions: 15 x 15 inches Signature: Signed Artist details: American, 1935- 2022 Date finished: 2018 Date of plate: 1986 Edition: of 10 Printer: Sidereal Fine Art Press Condition: SFAP Chop in the lower right hand corner.
Series: 13 Ways of Looking at a Blackbird Medium: Oil based woodblock print on cream paper Dimensions: 15 x 15 inches Signature: Signed Artist details: American, 1935- 2022 Date finished: 2018 Date of plate: 1986 Edition: of 10 Printer: Sidereal Fine Art Press Condition: SFAP Chop in the lower right hand corner.
Recommended by Rebecca (Gallery Associate):
This series, '13 Ways of Looking at a Blackbird' by Michael Spafford, is the artist's interpretation of a poem by Wallace Stevens. For this piece, the poem reads: "I was of three minds / Like a tree / In which there are three blackbirds." Spafford was a beloved Northwest artist and a teacher at the University of Washington for more than 30 years. His work focused on abstracting mythology into compressed, black and white forms. 'I Was of Three Minds' showcases Spafford's powerful simplicity, where the blackbirds intersect in the figure's mind at the point of a triangle, visible only because of the white grid crossing the black face. It is clear yet complex, perfectly echoing the poem.
Medium: Etching and aquatint Dimensions: 6 x 6 inches Signature: Signed Artist details: Japanese, 1964 Date finished: 2016 Edition: of 10
Recommended by Nikki (Fine Print Photographer & Content Publisher): "Sugita’s transient monument series highlights the temporal aspect of human transit, as we travel around in our cars, buses, trains, bikes, etc. Something I took for granted before Seattle’s lockdown began. In Transient Monument #4, we do not see any people. Instead we see two great forces - the man made steel bridge and the water beneath it. Both things are often only seen in passing, until we slow down and really take a second look."
Medium: Etching and aquatint Dimensions: 5 3/4 x 6 inches (image) 10 1/2 x 10 inches (sheet) Artist details: Japanese, 1964 Date finished: 2016 Edition: of 10
Medium: Wood engraving Dimensions: 5 x 6 1/2 inches Artist details: Japanese, 1964 Date finished: 2007 Edition: of 50
Recommended by Paige (Collections Manager): "Toru Sugita is a California-based Japanese artist and teacher who creates a variety of landscape and city scene prints. He has spent years thinking about changing light and is an expert at capturing each specific type of light that is unique to a place and a moment. On My Balcony I is a beautiful, simple wood engraving that captures a very individual scene: "my" balcony. It isn't lavish or curated; it isn't full of lush plants or exciting people - it's simple and sincere. The intimate process of carving a wood block is felt in this small piece. I feel the block's texture and the quiet moments that the artist spent with it. Now that we often think about curating images of our lives to only present the very best and most exciting aspects of ourselves, I am fascinated by Sugita's emphasis on the ordinary."
Medium: Etching and aquatint Dimensions: 23 3/4 x 16 3/4 inches (image) 29 7/8 x 22 1/4 inches (sheet) Artist details: Japanese, 1964 Date finished: 2009 Edition: of 20
Medium: Etching and aquatint Dimensions: 8 3/4 x 11 3/4 inches (image) 11 1/8 x 15 inches (sheet) Artist details: Japanese, 1964 Date finished: 2015 Edition: of 15