Medium: Aquatint Dimensions: 15 7/8 x 22 inches Signature: Signed Artist details: Mexican, 1955 - 2013 Date finished: 2000 Edition: AP
Recommended by Paige: (Collections Manager / Marketing Coordinator)
For me, 'El Camino de la Vaca' (The Cow's Path/Trail) is a 'why not'? type of piece. It has a simple joy for joy's sake. Of course, there is intention and artistry, like the beautiful ink textures, patterns, and perspective. But at this moment I appreciate his choice to create an uncomplicated, sweet scene. The grass forms a sort of red carpet for the underappreciated cow. We can smile just because.
Medium: Aquatint Dimensions: 21 x 17 inches (image) 29 1/2 x 24 inches (sheet) Signature: Signed Artist details: Mexican, 1955 - 2013 Date finished: 1996 Edition: of 50
Medium: Aquatint Dimensions: 11 3/4 x 7 inches (image) 17 1/2 x 12 1/2 inches (sheet) Signature: Signed Artist details: American, Pacific Northwest, b. 1949 Date finished: 1992 Edition: of 200
South from Mount Baker area, Whatcom County, Washington
Medium: Aquatint Dimensions: 8 3/4 x 12 inches (image) 15 x 18 1/4 inches (sheet) Signature: Signed Artist details: American, 1949 Date finished: 2013 Edition: of 250
Medium: Aquatint Dimensions: 6 x 9 inches (image) 11 1/2 x 14 inches (sheet) Signature: Signed Artist details: American, 1949 Date finished: 2018 Edition: of 200
Medium: Aquatint Dimensions: 5 x 8 7/8 inches (image) 11 x 15 inches (sheet) Signature: Signed Artist details: American, 1949 Date finished: 1991 Edition: of 200
Medium: Aquatint Dimensions: 12 x 23 1/2 inches (image) 19 3/4 x 30 inches (sheet) Signature: Signed Artist details: American, Pacific Northwest, b. 1949 Date finished: 2014 Edition: of 200
View southeast from Orcas Island, San Juan Islands, Washington.
Medium: Aquatint Dimensions: 11 3/4 x 8 7/8 inches (image) 18 x 15 inches (sheet) Signature: Signed Artist details: American, 1949 Date finished: 2018 Edition: of 100 Fall colors on Chuckanut Drive, south of Bellingham, WA
Medium: Aquatint Dimensions: 4 x 6 inches (image) 11 1/4 x 11 1/4 inches (sheet) Signature: Signed Artist details: American, Pacific Northwest, b. 1949 Date finished: 2019 Edition: of 200
Mt Baker from Skyline Divide, Mt Baker Wilderness, WA
Medium: Aquatint Dimensions: 6 x 9 inches (image) 11 1/4 x 14 inches (sheet) Signature: Signed Artist details: American, 1949 Date finished: 2020 Edition: of 200
Medium: Aquatint Dimensions: 5 3/4 x 8 3/4 inches (image) 11 x 15 inches (sheet) Signature: Signed Artist details: American, 1949 Date finished: 2013 Edition: of 250
Medium: Aquatint Dimensions: 17 5/8 x 11 3/4 inches (image) 25 x 17 1/4 inches (sheet) Signature: Signed Artist details: American, 1949 Date finished: 2007 Edition: of 250
Location: Bloedel Donovan Park, Lake Whatcom, Bellingham, Washington
Medium: Aquatint Dimensions: 5 3/4 x 9 inches (image) 11 1/4 x 14 1/4 inches (sheet) Signature: Signed Artist details: American, 1949 Date finished: 2019 Edition: of 200 Elfin Forest Preserve, Los Osos, CA
Medium: Aquatint Dimensions: 11 1/2 x 8 1/2 inches (image) 20 x 15 inches (sheet) Signature: Signed Artist details: American, 1949 Date finished: 2011 Edition: of 120, AP of XII
View east from Orcas Island, San Juan Islands, Washington.
Medium: Aquatint Dimensions: 4 x 10 1/4 inches (image) 11 1/2 x 15 inches (sheet) Signature: Signed Artist details: American, 1949 Date finished: 2012 Edition: of 250
Medium: Aquatint Dimensions: 5 7/8 x 20 1/4 inches (image) 11 x 26 3/4 inches (sheet) Signature: Signed Artist details: American, 1949 Date finished: 2008 Edition: of 250
View northwest into San Juan Islands and Canadian Gulf Islands from Chuckanut Ridge, south of Bellingham, WA
Medium: Aquatint Dimensions: 11 3/4 x 8 3/4 inches (image) 17 1/2 x 15 inches (sheet) Signature: Signed Artist details: American, 1949 Date finished: 2019 Edition: of 250 Fall colors in Lithia Park, Ashland OR
Medium: Aquatint Dimensions: 8 7/8 x 6 inches (image) 14 1/4 x 11 1/4 inches (sheet) Signature: Signed Artist details: American, 1949 Date finished: 2018 Edition: of 250 Fall colors on Chuckanut Drive, south of Bellingham, WA
Medium: Mixed color intaglio Dimensions: 6 x 4 5/8 inches (image) 14 1/2 x 10 1/2 inches (sheet) Signature: Signed Artist details: Japanese, 1948 Date finished: 1990 Edition: of 20
Medium: Mixed color intaglio Dimensions: 17 1/2 x 19 1/2 inches
(image) Signature: Signed Artist details: Japanese, 1948 Date finished: 1993 Edition: of 25
Medium: Intaglio and linocut Dimensions: 4 x 6 inches (image) 10 1/4 x 12 1/2 inches (sheet) Signature: Signed Artist details: British / Chinese, 1973 Date finished: 2009 Edition: of 20
Medium: Intaglio and linocut Dimensions: 4 x 6 inches (image) 10 1/4 x 12 inches (sheet) Signature: Signed Artist details: British / Chinese, 1973 Date finished: 2009 Edition: of 20
Medium: Japanese woodblock on echizen kozo Dimensions: 17 3/4 x 23 1/2 inches (image) Signature: Signed Artist details: British / Chinese, 1973 Date finished: 2007 Edition: of 7
Medium: Japanese woodblock on echizen kozo paper Dimensions: 17 3/4 x 23 1/2 inches (image) Signature: Signed Artist details: British / Chinese, 1973 Date finished: 2007 Edition: of 7
Medium: Japanese woodblock on echizen kozo paper Dimensions: 17 3/4 x 23 1/2 inches (image) Signature: Signed Artist details: British / Chinese, 1973 Date finished: 2007 Edition: of 7
Medium: Silkscreen on somerset paper Dimensions: 24 1/2 x 16 inches (image) Signature: Signed Artist details: British / Chinese, 1973 Date finished: 2015 Edition: AP
Medium: Linocut on Chinese Xuan paper Dimensions: 8 x 6 inches (image) Signature: Signed Artist details: British / Chinese, 1973 Edition: of 50
Recommended by Nikki (Fine Print Photographer & Content Publisher):
"During her residency at the Royal Academy Schools, Wuon-Gean Ho completed a number of linocut prints in the historic ‘Life Room’, where figure drawing often takes place. In her rendition of Venus, Ho’s playful personality shines through this European traditional space. She brings the statue to life with her rendition of arms, hands, and even a cell phone on the famous woman’s armless body. The linocut print is a reverse image of the actual statue’s left-right orientation. This tells us that Ho most likely carved her linocut block as if it were a life drawing sketch (treating her carving tools like pencils) before printing the resulting image. She even chose to include an alternate view of the statue as well as another artist drawing in the background, much like students would in a figure drawing class. Ho has created a delightfully colorful and humorous take on illustrating a woman’s form with the hallmark textures only linocut relief prints can offer."